I liked all that writing life talk quite a bit. Now, having Roth reflect back on those libidinous years via Zuckerman is a little annoying for me, though this may also just be an effect of my age. This is a common issue in Roth books, though, and can get tiresome, though he can be quite self-deprecatingly funny about it at times, too.
So 1/3 of the way in the book I thought it was a merely good book, well-written, by one of our greatest living writers. And then it really took off, and the dialogue really begins to sing, as it can in the best of Roth’s works! Zuckerman’s writing gets him in conflict with his own family, which makes him initially resentful of his Newark family and his parents’s harping on his responsibility to his Jewish heritage. Continue reading „I was initially less enamored with the focus on Jewish-Writer identity, and Zuckerman’s obsession with sex“